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Gregorian chant. Gregorian chant is the central tradition of Western plainchant, a form of monophonic liturgical music within Western Christianity that accompanied the celebration of Mass and other …More
Gregorian chant.

Gregorian chant is the central tradition of Western plainchant, a form of monophonic liturgical music within Western Christianity that accompanied the celebration of Mass and other ritual services. It is named after Pope Gregory I, Bishop of Rome from 590 to 604, who is traditionally credited for having ordered the simplification and cataloging of music assigned to specific celebrations in the church calendar, although it is known now that he could not have done it as a system for notating music had not been established at the time.[1] The resulting body of music is the first to be notated in a system ancestral to modern musical notation. In general, the chants were learned by the viva voce method, that is, by following the given example orally, which took many years of experience in the Schola Cantorum. Gregorian chant originated in monastic life, in which celebrating the 'Divine Office' eight times a day at the proper hours was upheld according to the Rule of St. Benedict. Singing psalms made up a large part of the life in a monastic community, while a smaller group and soloists sang the chants. In its long history, Gregorian chant has been subjected to many gradual changes and some reforms.

Gregorian chant was organized, codified, and notated mainly in the Frankish lands of western and central Europe during the 10th to 13th centuries, with later additions and redactions, but the texts and many of the melodies have antecedents going back several centuries earlier. Although popular belief credited Pope Gregory the Great with having personally invented Gregorian chant (in much the same way that a biblical prophet would transmit a divinely received message), scholars now believe that the chant bearing his name arose from a later Carolingian synthesis of Roman and Gallican chant. During the following centuries, the chant tradition remained at the heart of Church music and served as the dominant platform for new performance and compositional practices. Newly composed music on new texts was first introduced within the context of existing plainchant. The late medieval style known as organum, where one or more voices have been added to a plainchant (acting as a cantus firmus) to form a new composition, marked the birth of polyphony in Western music. The Parisian composers Léonin and Pérotin, chief exponents of the Notre Dame school of the late 12th century, continued to end their organum compositions with passages of monophonic chant, so that continuity with the older tradition remained explicit. Although it had mostly fallen into disuse after the Baroque period, Gregorian chant experienced a revival in the 19th century in the Roman Catholic Church and the Anglo-Catholic wing of the Anglican Communion.
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Album: Vokalpolyphonie/Gregorianik auf gloria.tv.
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Album: Vokalpolyphonie/Gregorianik auf gloria.tv.

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is this a certain CD??its silos but whoch cd??