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Matthew Weisher: Nothing Gold Can Stay - CCSU University Singers. 'Nothing Gold Can Stay' for SATB Choir, divisi Music: Matthew Weisher (born 1991) Text: Robert Frost (1874-1963) in 'New Hampshire' (…Altro
Matthew Weisher: Nothing Gold Can Stay - CCSU University Singers.
'Nothing Gold Can Stay' for SATB Choir, divisi Music: Matthew Weisher (born 1991) Text: Robert Frost (1874-1963) in 'New Hampshire' (1923) ___ The CCSU University Singers (director: Dr. Pamela Perry), conducted by Matthew Weisher (2013) Video by Eser (Sotto Voce aka civileso) "A few months before the end of my senior year of college, I was asked to write a piece in honor of the retirement of Dr. Pamela Perry--a mentor, teacher, friend and the director of the CCSU University Singers, a group that I had been a member of for four years and absolutely loved. The resulting piece is what you are hearing now, a short setting of Robert Frost's "Nothing Gold Can Stay." Once I heard the poem, I knew it was perfect for the occasion, as "gold" is what Dr. Perry truly was. I wrote the entire piece in a matter of hours, and presented it--in secret--to my group that same day to rehearse privately without Dr. Perry's knowledge. A few …Altro
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Bach: Es ist vollbracht! (Johannes-Passion) - Scholl (Prégardien)
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Zachow: Herr, wenn ich nur dich habe - Max (live) 'Herr, wenn ich nur dich habe' Church cantata for soloists (SATB), chorus (SATB) and orchestra (2 violins, 2 violas, harp and basso continuo) Text: …Altro
Zachow: Herr, wenn ich nur dich habe - Max (live)
'Herr, wenn ich nur dich habe' Church cantata for soloists (SATB), chorus (SATB) and orchestra (2 violins, 2 violas, harp and basso continuo) Text: Anonymous Music: Friedrich Wilhelm Zachow, or Zachau (1663-1712) ___ Verena Gropper, soprano Franz Vitzthum, countertenor Immo Schröder, tenor Markus Flaig, bass Das Kleine Konzert, Rheinische Kantorei, conducted by Hermann Max Concert: 4 June 2012 in Halle (Marktkirche) ___ Eser
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Zachow: Siehe, ich bin bei euch alle Tage - Max (live) 'Siehe, ich bin bei euch alle Tage' Sacred cantata for soloists (ATB), chorus (SATB) and orchestra (2 trumpets, 2 violins, viola and basso continuo …Altro
Zachow: Siehe, ich bin bei euch alle Tage - Max (live)
'Siehe, ich bin bei euch alle Tage' Sacred cantata for soloists (ATB), chorus (SATB) and orchestra (2 trumpets, 2 violins, viola and basso continuo) Text: Anonymous Music: Friedrich Wilhelm Zachow, or Zachau (1663-1712) ___ Franz Vitzthum, countertenor Immo Schröder, tenor Markus Flaig, bass Das Kleine Konzert, Rheinische Kantorei, conducted by Hermann Max Concert: 4 June 2012 in Halle (Marktkirche) ___ Eser
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Easter Lamb condivide questo
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Leonard Wessell
Warum kriege ich kein Bild auf dem Schmirm?
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Händel: Dov'è? S'affretti per me la morte (Poro) - Fagioli (Onofri, live) 'Udiste mai' / 'Dov'è? S'affretti per me la morte' Recitativo and aria in F minor for mezzo-soprano, 2 violins, viola and basso …Altro
Händel: Dov'è? S'affretti per me la morte (Poro) - Fagioli (Onofri, live)
'Udiste mai' / 'Dov'è? S'affretti per me la morte' Recitativo and aria in F minor for mezzo-soprano, 2 violins, viola and basso continuo From the opera 'Poro, re dell'Indie', HWV 28 (No. 26) Libretto: Anonymous, after Pietro Metastasio's Allessandro nell'Indie (music by Leonardo Vinci, 1729) Music: Georg Friedrich Händel (1685-1759) First performance: 2 February 1731 in London (King's Theatre, Haymarket) ___ Poro: Franco Fagioli, countertenor Kammerorchester Basel, conducted by Enrico Onofri Concert: 6 June 2012 in Basel (Theater) Pitch: A = 415 Hz ___ Eser
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Vivaldi: Filiæ mæstæ Jerusalem, RV 638 - Eser. 'Filiæ mæstæ Jerusalem' Motet ('introduzione al Miserere') for alto, 2 violins, viola and basso continuo Text: anonymous Music: Antonio Vivaldi (1678-…Altro
Vivaldi: Filiæ mæstæ Jerusalem, RV 638 - Eser.
'Filiæ mæstæ Jerusalem' Motet ('introduzione al Miserere') for alto, 2 violins, viola and basso continuo Text: anonymous Music: Antonio Vivaldi (1678-1741) Composition: probably between 1713 and 1717 ___ Eser, contralto Bass realisation and programming: Marc D. Recording: May 2012 Pitch: A = 415 Hz ___ 00:00 - 1. Recitativo: Filiæ mæstæ Jerusalem 01:48 - 2. Aria: Sileant zephyri 08:59 - 3. Recitativo: Sed tenebris diffusis ___ Score by Martin Straeten, edited by myself. In the aria's da capo, the ornamentation in the first-violin part closely follows that of a 2003 performance of this work by Il Seminario Musicale conducted by Gérard Lesne. Marc D.
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Easter Lamb condivide questo
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Händel: Presti omai l'Egizia terra (Giulio Cesare in Egitto) - Eser. 'Presti omai l'Egizia terra' (Cesare) Aria in D major for alto, 2 oboes, 2 violins, viola and basso continuo From the opera 'Giulio …Altro
Händel: Presti omai l'Egizia terra (Giulio Cesare in Egitto) - Eser.
'Presti omai l'Egizia terra' (Cesare) Aria in D major for alto, 2 oboes, 2 violins, viola and basso continuo From the opera 'Giulio Cesare in Egitto', HWV 17 (No. 2) Libretto: Nicola Francesco Haym, after Giacomo Francesco Bussani's 'Giulio Cesare in Egitto' (music by Antonio Sartorio, 1676) Music: Georg Friedrich Händel (1685-1759) First performance: 20 February 1724, in London (King's Theatre, Haymarket) ___ Cesare: Eser, contralto Bass realisation and programming: Marc D. Recording: June 2012 Pitch: A = 440 Hz ___ Presti omai l'Egizia terra le sue palme al vincitor! ___ Translation (by Marc D.): Land of Egypt, now present your laurels to the victor! ___ There was a wrong note in the 1875 Chrysander edition that I used for this video: on the picture that can be seen at 0:50, the second note of the second bar in the first staff was a D instead of an E. I have edited the score according to the 1724 edition. Marc D.
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Matthew Weisher: Ave Maria - CCSU University Singers (Perry) 'Ave Maria' for SATBB choir, divisi Composed by Matthew Weisher (born 1991) www.youtube.com/user/MattWeisherComposer Video by Eser (Sotto …Altro
Matthew Weisher: Ave Maria - CCSU University Singers (Perry)
'Ave Maria' for SATBB choir, divisi Composed by Matthew Weisher (born 1991) www.youtube.com/user/MattWeisherComposer Video by Eser (Sotto Voce aka civileso) ___ The History of the piece: I wrote this piece when I was a sophomore in college. I remember having this dream where I was sitting in a church listening to a choir sing this beautiful music that I had never heard before. Oddly enough, the conductor turned around to me after the performance and told me to write down what I had heard because it was "my own music." Waking up from the dream I took to pencil and paper and started writing down what I remembered on manuscript paper. It was the first time that I felt like I really had a reason to compose--like it was a way of getting out music that had been laying dormant inside my head. I started and finished the piece within a few hours and by that afternoon, the piece was already in the hands of the director of the CCSU …Altro
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Händel: Cara speme (Giulio Cesare in Egitto) - Eser. 'Cara speme' (Sesto) Aria in E-flat major for soprano, violins in unison (in ritornello) and basso continuo From the opera 'Giulio Cesare in Egitto …Altro
Händel: Cara speme (Giulio Cesare in Egitto) - Eser.
'Cara speme' (Sesto) Aria in E-flat major for soprano, violins in unison (in ritornello) and basso continuo From the opera 'Giulio Cesare in Egitto', HWV 17 (No. 12) Libretto: Nicola Francesco Haym, after Giacomo Francesco Bussani's 'Giulio Cesare in Egitto' (music by Antonio Sartorio, 1676) Music: Georg Friedrich Händel (1685-1759) First performance: 20 February 1724, in London (King's Theatre, Haymarket) ___ Sesto: Eser, contralto Bass realisation and programming: Marc D. Recording: May 2012 Pitch: A = 415 Hz ___ Cara speme, questo core tu cominci a lusingar. Par che il ciel presti favore i miei torti a vendicar. ___ Translation (by Marc D.): Dear hope, you are beginning to caress my heart. It seems that heaven is willing to avenge the injustice I have suffered.
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Lambert: Ombre de mon amant - von Otter (Christie) 'Ombre de mon amant' Air for soprano, 2 high-treble instruments and basso continuo Text: Anonymous Music: Michel Lambert (c.1610-1696) Published in …Altro
Lambert: Ombre de mon amant - von Otter (Christie)
'Ombre de mon amant' Air for soprano, 2 high-treble instruments and basso continuo Text: Anonymous Music: Michel Lambert (c.1610-1696) Published in 'Airs à une, II, III et IV parties avec la basse-continue' (Paris: Christophe Ballard, 1689) ___ Anne Sofie von Otter, mezzo-soprano Les Arts Florissants, conducted by William Christie Concert: 22 August 2008 in Edinburgh (Usher Hall) Pitch: A = 392 Hz ___ Eser.
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Jommelli: Come a vista (La passione) - Ledroit (Sacchetti) 'Altri gli svelle le congiunte' / 'Come, a vista di pene sì fiere' (Giovanni) Recitativo accompagnato and aria from the orotario 'La Passione …Altro
Jommelli: Come a vista (La passione) - Ledroit (Sacchetti)
'Altri gli svelle le congiunte' / 'Come, a vista di pene sì fiere' (Giovanni) Recitativo accompagnato and aria from the orotario 'La Passione di Gesù Cristo Signor Nostro' Libretto: Pietro Metastasio (1698-1782); first set by Antonio Caldara in 1730 Music: Niccolò Jommelli (1714-1774) Composition: 1749 in Rome ___ Henri Ledroit, countertenor Orchestre de la Radio-Télévision Suisse Italienne, conducted by Arturo Sacchetti Recording: 1983 in Lugano, Switzerland (live) Pitch: A = 415 Hz ___ Recitativo accompagnato Altri gli svelle le congiunte alle piaghe tenaci spoglie; altri lo preme e spinge, e sul tronco disteso lo riduce a cader. Questi s'affretta nel porlo in croce, e gl'incurvati chiode va cangiando talor; quegli le membra traendo a forza all'lungo tronco adatta. Chi stromenti ministra, chi s'affolla a mirarlo, e chi sudando prono nell'opera, infellonito e stolto, dell'infame sudor gli bagna il volto. Aria Come, a vista di …Altro
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Caldara: Soffri, mio caro Alcino - Lesne. 'Soffri, mio caro Alcino' Cantata for alto and basso continuo Text: probably Paolo Rolli (1687-1765) Music: Antonio Caldara (1670-1736) Composition: the …Altro
Caldara: Soffri, mio caro Alcino - Lesne.
'Soffri, mio caro Alcino' Cantata for alto and basso continuo Text: probably Paolo Rolli (1687-1765) Music: Antonio Caldara (1670-1736) Composition: the manuscript score is dated 14 October 1715 ___ Gérard Lesne, countertenor Il Seminario musicale Recording: June 1990 Pitch: A = 415 Hz ___ At last! I've been after this score for 7 years! I received it from a YT friend 2 years ago but since then I had no opportunity to make this video. I posted a video years ago (www.youtube.com/watch) with only the cover of the album since I didn't have the score nor the text. My search for a bit of info on this piece led me to meet my dear Marc (MehdiCapsII), who tried to help me find or at least transcribe the text from the audio. But he was not the only one who offered help: among them, dear Flavio, an exceptionally talented countertenor friend (senesino83), luisortmul, and Idaspe who sent me the score. I can never thank all of you enough. But the quest is …Altro
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Bach: Cantata BWV 54, "Widerstehe doch der Sünde" A Scholl. The title aria of the Cantata BWV 54 I also uploaded the following rezitativ & arie. Widerstehe doch der Sünde, Sonst ergreifet dich ihr Gift …Altro
Bach: Cantata BWV 54, "Widerstehe doch der Sünde" A Scholl.
The title aria of the Cantata BWV 54 I also uploaded the following rezitativ & arie. Widerstehe doch der Sünde, Sonst ergreifet dich ihr Gift. Laß dich nicht den Satan blenden; Denn die Gottes Ehre schänden, Trifft ein Fluch, der tödlich ist Translation: Pray resist sin, lest its poison seize you. Don't let Satan blind you; for those who defile God's honor will incur a curse that is deadly.
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ACLumsden
Ah......Kapelmeister Bach. None can summon civil and Divine tears of joy and peace from mine heart like unto him! Thank you! 👍
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Rossini: L'assedio di Corinto "Giusto Ciel!" - Marilyn Horne. My favorite mezzo soprano Marilyn Horne is singing Rossini's "Giusto Ciel! In Tal Periglio" from L'assedio di Corinto. Quite possibly the …Altro
Rossini: L'assedio di Corinto "Giusto Ciel!" - Marilyn Horne.
My favorite mezzo soprano Marilyn Horne is singing Rossini's "Giusto Ciel! In Tal Periglio" from L'assedio di Corinto. Quite possibly the most beautiful woman voice that ever graced human ear.. About the score: As you can tell I am using pdf files for my videos and there is no way to transpose the pdf scores.. So, some of my videos may not be a match. I hope you can figure out all those scribbles over the score.. Some do match the way M. Horne is singing and some don't. But there is such variation in interpretation of this aria that I doubt there can be a perfect-match edition of this score. Specially if it is Horne who is singing:)) Also, I do not have the choir partition, but one cannot get everything one wants, right? :)) Gioachino Rossini : L'assedio di Corinto "Giusto Ciel! In Tal Periglio" Libretto: Luigi Balocchi & Alexandre Soumet Giusto Ciel! in tal periglio Più consiglio, più speranza Non ci avanza, Che piangendo, …Altro
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ACLumsden
👍 Thanks, Ms Horne really does a good job!
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Rossini - L'assedio di Corinto - "Giusto Ciel!" - Sumi Jo. A coloratura soprano take on this aria... Although not a big fan of Sumi Jo, I like her version of this aria. I don't know if it is the fluidity …Altro
Rossini - L'assedio di Corinto - "Giusto Ciel!" - Sumi Jo.
A coloratura soprano take on this aria... Although not a big fan of Sumi Jo, I like her version of this aria. I don't know if it is the fluidity of her voice or the abundance of raw emotion in her interpretation... About the score: As you can tell I am using pdf files for my videos and there is no way to transpose the pdf scores.. So, some of my videos may not be a match. I hope you can figure out all those scribbles over the score.. Some do match the way Jo is singing and some don't. But this aria has such variation in interpretation that I doubt there can be a perfect-match edition of this score. Also, I do not have the choir partition. Gioachino Rossini : L'assedio di Corinto "Giusto Ciel! In Tal Periglio" Libretto: Luigi Balocchi & Alexandre Soumet Giusto Ciel! in tal periglio Più consiglio, più speranza Non ci avanza, Che piangendo, che gemendo Implorar la tua pietà, etc Merciful Lord! In such peril the only course, the only …Altro
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Bellini: Sei Ariette, #1 "Malinconia Ninfa Gentile - Sumi Jo. by Vincenzo Bellini (1801-1835) , "Malinconia, Ninfa gentile" , from Sei Ariette, #1. Based on a text in Italian by Ippolito Pindemonte (…Altro
Bellini: Sei Ariette, #1 "Malinconia Ninfa Gentile - Sumi Jo.
by Vincenzo Bellini (1801-1835) , "Malinconia, Ninfa gentile" , from Sei Ariette, #1. Based on a text in Italian by Ippolito Pindemonte (1753-1828) Language: ITALIAN Malinconia, Ninfa gentile, la vita mia consacro a te; i tuoi piaceri chi tiene a vile, ai piacer veri nato non è. Fonti e colline chiesi agli Dei; m'udiro alfine, pago io vivrò, né mai quel fonte co' desir miei, né mai quel monte trapasserò. Translation: Melancholy, gentle nymph, I devote my life to you. One who despises your pleasures Is not born to true pleasures. I asked the gods for fountains and hills; They heard me at last; I will live satisfied Even though, with my desires, I never Go beyond that fountain and that mountain. by Vincenzo Bellini (1801-1835) , "Malinconia, Ninfa gentile" , from Sei Ariette, no. 1.
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J.S. Bach: Mass in B minor "Agnus Dei" - Andreas Scholl. J.S. Bach: Mass in B minor, BWV 232 "Agnus Dei" In this video: Andreas Scholl, countertenor Collegium Vocale Gent, Conducted by Philippe Herreweghe …Altro
J.S. Bach: Mass in B minor "Agnus Dei" - Andreas Scholl.
J.S. Bach: Mass in B minor, BWV 232 "Agnus Dei" In this video: Andreas Scholl, countertenor Collegium Vocale Gent, Conducted by Philippe Herreweghe Harmonia Mundi Agnus dei qui tollis peccata mundi miserere nobis.. Lamb of God, who takes away the sins of the world, have mercy upon us..
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lanternedslenoir
Magnifique! 👍
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Schubert: Gretchen am spinnrade", op.2, D.118 - Te Kanawa
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J.A. Hasse: Salve Regina "Ad te Clamamus" - Bernarda Fink
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