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Our Lady of Guadalupe: A MEXICA CODEX, A MESSAGE FROM HEAVEN LOADED WITH SYMBOLS FOR THE AZTECS. A PICTURE OF REMARKABLE BEAUTY: golden ratio. Regarding a picture annalysis of our Lady of Guadalupe, …More
Our Lady of Guadalupe: A MEXICA CODEX, A MESSAGE FROM HEAVEN LOADED WITH SYMBOLS FOR THE AZTECS.
A PICTURE OF REMARKABLE BEAUTY: golden ratio. Regarding a picture annalysis of our Lady of Guadalupe, we could say that it is a picture of remarkable beauty. According with Alberti, in a painting we must observe in general terms the
colour, the line and the composition. About the composition, we define it as the harmonic union
of the parts to make a whole, making an unity in the variety of the objects. One of the most
beautiful manners to obtain it, is the golden, gold or divine proportion It is formed by an square
to which a rectangle is added, in order to make an space in which the minor side belongs to the
bigger in relation of 1 to 1.6181 denominated golden number. This golden proportion appears in
all art expressions. From Mesopotamia, Egypt, Greece, until now. It had been studied by Pitagoras, Euclides and Vitrubio. In the Rennaissance it was investigated by Uccello, De la Francesca,…More
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Our Lady of Guadalupe: A MEXICA CODEX, A MESSAGE FROM HEAVEN LOADED WITH SYMBOLS FOR THE AZTECS.
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Our Lady of Guadalupe: A MEXICA CODEX, A MESSAGE FROM HEAVEN LOADED WITH SYMBOLS FOR THE AZTECS.
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In 1936, the German Richard Kuhn (Nobel Prize winner in chemistry) has found that the Image did not have natural, animal or mineral colorings. The origin of the pigments of these figures is unknown.
Richard Kuhn - Wikipedia
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Viriditas Abramo Father.. 🤗
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✍️ In 1936 a Nobel prize-winning chemist, Dr Richard Kuhn, analysed the fiber sand coloring of the tunic. He discovered the color was not of vegetable, mineral, or animal origin and was not of any known earthly element!
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✍️ In mathematics, two quantities are in the golden ratio if their ratio is the same as the ratio of their sum to the larger of the two quantities. The figure on the right illustrates the geometric relationship. Expressed algebraically, for quantities a and b with a > b > 0,
a + b a = a b = def φ , {\displaystyle {\frac {a+b}{a}}={\frac {a}{b}}\ {\stackrel {\text{def}}{=}}\ \varphi ,}
where …More
✍️ In mathematics, two quantities are in the golden ratio if their ratio is the same as the ratio of their sum to the larger of the two quantities. The figure on the right illustrates the geometric relationship. Expressed algebraically, for quantities a and b with a > b > 0,
a + b a = a b = def φ , {\displaystyle {\frac {a+b}{a}}={\frac {a}{b}}\ {\stackrel {\text{def}}{=}}\ \varphi ,}
where the Greek letter phi (φ {\displaystyle \varphi } or ϕ {\displaystyle \phi } ) represents the golden ratio. Its value is:
φ = 1 + 5 2 = 1.6180339887 … . {\displaystyle \varphi ={\frac {1+{\sqrt {5}}}{2}}=1.6180339887\ldots .} A001622
The golden ratio is also called the golden mean or golden section (Latin: sectio aurea).[1][2][3] Other names include extreme and mean ratio,[4] medial section, divine proportion, divine section (Latin: sectio divina), golden proportion, golden cut,[5] and golden number.[6][7][8]
Some twentieth-century artists and architects, including Le Corbusier and Dalí, have proportioned their works to approximate the golden ratio—especially in the form of the golden rectangle, in which the ratio of the longer side to the shorter is the golden ratio—believing this proportion to be aesthetically pleasing. The golden ratio appears in some patterns in nature, including the spiral arrangement of leaves and other plant parts.
Mathematicians since Euclid have studied the properties of the golden ratio, including its appearance in the dimensions of a regular pentagon and in a golden rectangle, which may be cut into a square and a smaller rectangle with the same aspect ratio.
en.wikipedia.org/wiki/Golden_ratio