"We Are the Champions": How the Lavender Mafia Got Over the Wall and into the Sanctuary
The key to understanding the renaissance of degeneracy in the Church under the reign of Lavender 2.0 is to examine Pope Francis’s infamous July 2013, “Who am I to judge?” blurb within its proper context.
While most of the media attention given from both hostile and friendly sources to this quote has argued that Pope Francis was greenlighting homosexuality in general and gay marriage in particular (which he may, in fact, also have been doing), the Holy Father, in this context, was specifically talking about gay priests.
Even one of the most widely read articles on the nefarious quote, published, where else but in the New York Times, was titled, “On Gay, Priests, Pope Francis Asks, “Who Am I to Judge?”
Pope Francis was not specifically talking about the issue of homosexuality, gay marriage, or sodomitical acts: he was specifically talking about gay priests.
And these gay priests were listening. However, while they knew that had support in the Vatican, these members of Lavender 2.0 had to rework their modus operandi to avoid showing up on the front page of the Boston Globe.
The Remnant
While most of the media attention given from both hostile and friendly sources to this quote has argued that Pope Francis was greenlighting homosexuality in general and gay marriage in particular (which he may, in fact, also have been doing), the Holy Father, in this context, was specifically talking about gay priests.
Even one of the most widely read articles on the nefarious quote, published, where else but in the New York Times, was titled, “On Gay, Priests, Pope Francis Asks, “Who Am I to Judge?”
Pope Francis was not specifically talking about the issue of homosexuality, gay marriage, or sodomitical acts: he was specifically talking about gay priests.
And these gay priests were listening. However, while they knew that had support in the Vatican, these members of Lavender 2.0 had to rework their modus operandi to avoid showing up on the front page of the Boston Globe.
The Remnant