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Narnia and the Seven Deadly Sins Into the WardrobeMore
Narnia and the Seven Deadly Sins
Into the Wardrobe
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Jeffrey Ade In The Lion, the Witch and the Wardrobe, the character, Edmund Pevensie, personifies gluttony, the sin of excessively using things in themselves legitimate, normally associated with the appetite, and, in effect, making one's belly the god he serves (Phil. 3:19). Jadis, the White Witch, exploits Edmund's weakness when she meets him in a snowy woods, offering him a warm drink and Turkish …More
Jeffrey Ade In The Lion, the Witch and the Wardrobe, the character, Edmund Pevensie, personifies gluttony, the sin of excessively using things in themselves legitimate, normally associated with the appetite, and, in effect, making one's belly the god he serves (Phil. 3:19). Jadis, the White Witch, exploits Edmund's weakness when she meets him in a snowy woods, offering him a warm drink and Turkish Delight, his favorite candy. From the first bite, he is hooked, for each "piece was sweet and light to the very centre and Edmund had never tasted anything more delicious." As she pumps him for information regarding his brother and sisters, he readily replies, driven by an insatiable hunger for more and more Turkish Delight: "At first Edmund tried to remember that it is rude to speak with one's mouth full, but soon he forgot about this and thought only of trying to shovel down as much Turkish Delight as he could, and the more he ate, the more he wanted to eat, and he never asked himself why the Queen should be so inquisitive" ( 32; all references to the Narnia stories are from the Collier edition, 1970). This scene recalls Eve's gluttonous indulgence in Milton's Paradise Lost where she first eats the apple:
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